My love for Kenya began in 1986, when I saw the movie “Out of Africa”. I have seen this movie, perhaps more than 15 times since then and it is my all-time favorite.
The movie starts with the dialog "I had a farm in Africa, at the foot of Ngong hill..." with a joyful music by John Barry.
When I met Neelam (born in Nairobi), I was saw her as an “Out of Africa Girl", Meryl Streep. p.s. Neelam also had resemblance to Nutan, a famous Indian actress in 60s, and my favorite also. Plus her airline background, and my passion for airplanes, sealed the deal, at least from my side.
Released 1985; Directed by Sydney Pollack; Main actors: Meryl Streep, Robert Redford; Music by John Barry (many compositions were inspired by Mozart.
Music:
- The piece of music by Mozart most famously used in the movie "Out of Africa" is the Adagio from his Clarinet Concerto in A major, K. 622.
- While the film's score also features other Mozart pieces, the Clarinet Concerto is the one most closely associated with the film and is considered a central part of its emotional landscape. It is not a symphony, but a concerto for a solo clarinet and orchestra.
- p.s. A concerto is a musical composition for a solo instrument accompanied by an orchestra, while a symphony is a larger-scale work for a full orchestra without a featured soloist.
Awards: It won a total of seven Academy Awards, including Best Picture and Best Director. It was nominated for a total of 11 Academy Awards. The film also won multiple other awards, including three Golden Globe Awards.
Here are links to few of my favorite Clips:
The Movie Story: (Source: Google AI Gemini):
"Out of Africa" romanticizes the life of Danish writer Karen Blixen. Based loosely on Blixen's 1937 memoir of the same name and other biographical sources, the movie chronicles her experiences in colonial Kenya from 1914 to 1931.
Karen Blixen was know as "Baroness Karen Christentze von Blixen-Finecke" and she wrote books under pen name: Isak Dinesen.
She married Baron Bror von Blixen, a Swedish nobleman, (hence, she was known as Baroness) writer, and professional big-game hunter and guide in Africa. They were married from 1914 to 1925.
The film opens with a flashback, as an older Blixen (Meryl Streep) reflects on her time in Africa. In 1914, she arrives in British East Africa, having entered into a marriage of convenience with Baron Bror von Blixen (Klaus Maria Brandauer). Their plan was to start a dairy farm, but Bror's lack of interest and his extravagant spending led Karen to shift their venture to a coffee plantation in the foothills of the Ngong Hills.
Karen quickly falls in love with the land and its people, forming a deep bond with her African staff and the local Kikuyu tribe. However, her marriage to Bror is troubled by his constant philandering and lack of commitment. It is during this time that she meets the free-spirited big-game hunter Denys Finch Hatton (Robert Redford). Their initial encounters are marked by an intellectual and mutual respect, which blossoms into a passionate and complicated romance.
The core of the film's narrative is the unconventional love affair between Karen and Denys. While Karen seeks a traditional, committed relationship, Denys is a man who values his freedom and independence above all else.
Their love story unfolds against the stunning backdrop of the African savanna, with the film emphasizing the contrast between Karen's civilized European ways and Denys's wild, untamed spirit. Denys teaches Karen to see Africa not just as a place to be tamed, but to be understood and appreciated in its raw beauty, even flying her over the vast plains in his biplane.
The film follows Karen through a series of personal and professional struggles. She contracts syphilis from Bror, which forces her to return to Denmark for treatment, and her coffee plantation faces ruin due to a drought and the worldwide collapse of coffee prices. Amidst these hardships, her relationship with Denys is a source of both joy and pain. The climax of their relationship is tragically cut short when Denys dies in a plane crash.
In the end, with her plantation facing financial failure, Karen is forced to sell the land and return to Denmark. Before leaving, she makes an emotional plea to the new authorities to ensure her African workers have a place to live. The final scenes show her bidding a tearful farewell to the land she had come to call home. She never returned to Africa.
Summary of Actual Movie Vs. Reality: (Source: Google AI Gemini):
The movie is lauded for its stunning cinematography and powerful performances. However, when it comes to historical realism, the movie takes significant liberties. It's best described as a romanticized, Hollywood adaptation of Karen Blixen's life, rather than a faithful historical account.
Here's a breakdown of how the film compares to reality:
The Source Material:
- The film is "very loosely based" on Karen Blixen's 1937 memoir Out of Africa, her 1960 book Shadows on the Grass, and other biographical sources.
- The memoir itself is not a straightforward narrative; it's a collection of reflective stories and vignettes about her life in Kenya.
- The movie's screenwriter, Kurt Luedtke, extracted dramatic incidents and romantic elements to create a more linear and compelling story, adding scenes that didn't happen in real life.
The Source Material:
- The film portrays a sweeping romance between Karen Blixen (Meryl Streep) and Denys Finch Hatton (Robert Redford).
- In reality, Blixen's book barely mentions her relationship with Finch Hatton, and what is described is a chaste friendship, not an explicit romance. The filmmakers likely drew on her letters and other writings to create the love story.
- The romanticization extends to Finch Hatton's character. While the film presents him as a wise, anti-colonial figure, the historical record suggests a more complex individual with a condescending view of the native population.
The Depiction of Colonial Kenya:
- The film's focus is on the experiences of the white settlers, with Africans often serving as a backdrop or as a way to demonstrate the main characters' benevolence.
- The film largely ignores the negative impacts of colonialism on the local population. It omits significant events from Blixen's life and the historical context, such as a major locust swarm and her detailed accounts of the German army's activities during World War I.
- In her book, Blixen discusses the differences between ethnic groups, such as the Kikuyu and Masai, and is critical of certain colonial practices. This nuanced perspective is lost in the film, where all African characters are often presented as a single, undifferentiated group.
The Characters:
- While the major African characters like her loyal aide Farah and cook Kamante Gatura are taken from the book, they are far more important in the memoir than they are in the film. The movie doesn't allow them to be real people with their own lives and motivations; they exist primarily to serve the story of the white protagonists.
- The film downplays or omits important aspects of Blixen's life, such as the syphilis she contracted from her husband Bror, and the fact that her relationship with Finch Hatton lasted for many years, not just a year or two as suggested by the film's timeline.
In Conclusion:
The movie sacrifices historical accuracy for a more conventional and romantic Hollywood narrative. It's a film about a European woman's memory of Africa, filtered through a romantic lens, rather than a truly realistic depiction of colonial Kenya.
//------------ Some Photos
Below photo was taken in 1925 with Farah Aden and Karen herself when Karen's mother came to Kenya for a visit on the farm. The boy Tumbo developed a very close relationship with Karen Blixen on the farm such that Karen would refer to him as her adopted son.
Below Karen and Farah and Juma, in 1930 on the farm in Africa. On her right side Farah Aden (1885-1942), her Somali butler/Manager, and his son Saufe; on her left her waiter Juma, half Masai, and his son Tumbo.
Below Denys Finch Hatton
Below some photos Karen Blixen:
Karen Blixen died on 7 September 1962
Karen initially dreamed of becoming a painter and even studied at the Royal Academy of Fine Arts in Copenhagen. Blixen's paintings often depicted portraits of local farm workers, showcasing her empathy for her subjects.
Below is Oil on canvas. The old Kikuyu named Ereri, was painted by Karen Blixen in 1924
Below: The women, who worked at the coffee plantation
Below: Abdullahi Ahmed. He was a Somali, not kikuyu and was the half-brother of Blixen's chief farm manager, Farah. She hire Abdullahi as a kind of page boy. She did so when he was about 10 years old, and noticed quickly that he was an exceptionally smart boy.
When she later on supported Abdullahi's formal education she discovered that he was something akin to a math genius, and had an aptitude for chess, beating seasoned and much older players at their game.
Blixen kept in touch with Abdullahi through letters long after she had returned to Denmark. He wrote his on a typewriter that she sent him from Denmark. He left Kenya, moved to "Somaliland" and became a Judge!